DOCUMENTATION
QSI POSTERS
QSI CABARET ANTI-ARCHIVE
QSI POSTERS
SCREENINGS
QSI POSTERS
PINK LINES - COLOMBIANIZACION CABARET
QSI DOCUMENTATION
COURSE POSTING
QSI DOCUMENTATION
WORKSHOP AND SCREENINGS
QSI DOCUMENTATION
PROGRAM
QSI THEORY
WORK CITED
MLA FORMAT:
Alvarez, Sonia E.. "Introduction to the Project and the Volume / 1 Enacting a Translocal Feminist Politics of Translation". Translocalities/Translocalidades: Feminist Politics of Translation in the Latin/a Américas, edited by Sonia E. Alvarez, Claudia de Lima Costa, Veronica Feliu, Rebecca Hester, Norma Klahn and Millie Thayer, New York, USA: Duke University Press, 2014, pp. 1-18. https://doi.org/10.1515/9780822376828-002
Cowan, T. L. “A Hybrid Present Embodified: Dialectical Mimesis on the Translocal Cabaret Stage. César Enríquez’s Disertaciones de La Chingada and Alexandra Tigchelaar’s Les Demimondes.” Queer Dramaturgies. London: Palgrave Macmillan UK. 157–177. Web.
Gevisser, Mark. "Kanaga’s Choices: Queer and Transgender Identity in the Digital Age." Global Information Society Watch 2015: Sexual Rights and the Internet, edited by Association for Progressive Communications (APC) and Hivos, APC and Hivos, 2015, pp. 9-12. www.giswatch.org/en/sexual-rights/kanaga-s-choices-queer-and-transgender-identity-digital-age.
Chen, Jian, and Lissette Olivares. “Transmedia.” TSQ : Transgender studies quarterly 1.1–2 (2014): 245–248. Web.
Cowan, T.L, and Jasmine Rault. “Onlining Queer Acts: Digital Research Ethics and Caring for Risky Archives.” Women & performance 28.2 (2018): 121–142. Web.
Gevisser, Mark. The Pink Line : Journeys across the World’s Queer Frontiers. First edition. New York: Farrar, Straus and Giroux, 2020. Print.
Gopinath, Gayatri. Unruly Visions : The Aesthetic Practices of Queer Diaspora. Durham: Duke University Press, 2018. Print.
Loveless, Natalie. “Polydisciplinamory.” How to Make Art at the End of the World. New York, USA: Duke University Press, 2020. 59–76. Web.Manning, Dolleen Tisawiiashii, and Mary Bunch. “Decolonial Re-worlding: Potential Ecologies of the Virtual.” Life in Art: Phenomenology, Aesthetics and Identity. Ed. Helen Fielding and Mariana Ortega. In press. 2023
McCaskell, Tim. Queer Progress : From Homophobia to Homonationalism. Toronto: Between the Lines, 2016. Print.
Ochieng’ Nyongó, Tavia Amolo. Afro-Fabulations : The Queer Drama of Black Life. New York: New York University Press, 2019. Print.
Pereira, Pedro Paulo Gomes. “Reflecting on Decolonial Queer.” GLQ 25.3 (2019): 403–429. Web.
Juhasz, Alexandra, and Shu Lea Cheang. “When Are You Going to Catch Up with Me?” Camera obscura (Durham, NC) 35.105 (2020): 117–132. Web.
APA FORMAT:
Alvarez, S. E. (2014). Introduction to the project and the volume / 1 enacting a translocal feminist politics of translation. In S. E. Alvarez, C. de Lima Costa, V. Feliu, R. Hester, N. Klahn, & M. Thayer (Eds.), Translocalities/Translocalidades: Feminist politics of translation in the Latin/a Américas (pp. 1-18). Duke University Press. https://doi.org/10.1515/9780822376828-002
Cowan, T. L. (n.d.). A Hybrid Present Embodified: Dialectical Mimesis on the Translocal Cabaret Stage. César Enríquez’s Disertaciones de la Chingada and Alexandra Tigchelaar’s Les Demimondes. In Queer Dramaturgies (pp. 157–177). Palgrave Macmillan UK. https://doi.org/10.1057/9781137411846_9
Gevisser, M. (2015). Kanaga’s choices: Queer and transgender identity in the digital age. In Association for Progressive Communications (APC) & Hivos (Eds.), Global information society watch 2015: Sexual rights and the internet (pp. 9-12). APC and Hivos. Retrieved from https://www.giswatch.org/en/sexual-rights/kanaga-s-choices-queer-and-transgender-identity-digital-age
Chen, J., & Olivares, L. (2014). Transmedia. TSQ : Transgender Studies Quarterly, 1(1–2), 245–248. https://doi.org/10.1215/23289252-2400172
Cowan, T. L., & Rault, J. (2018). Onlining queer acts: Digital research ethics and caring for risky archives. Women & Performance, 28(2), 121–142. https://doi.org/10.1080/0740770X.2018.1473985
Gevisser, M. (2020). The pink line : journeys across the world’s queer frontiers (First edition.). Farrar, Straus and Giroux.
Gopinath, G. (2018). Unruly visions : the aesthetic practices of queer diaspora. Duke University Press.
Loveless, N. (2019). How to Make Art at the End of the World: A Manifesto for Research-Creation (1st ed.). Duke University Press. https://doi.org/10.1515/9781478004646
Manning, D. T., & Bunch, M. (in press). Decolonial re-worlding: Potential ecologies of the virtual. In H. Fielding & M. Ortega (Eds.), Life in art: Phenomenology, aesthetics, and identity.
McCaskell, T. (2016). Queer progress : from homophobia to homonationalism. Between the Lines.
Ochieng’ Nyongó, T. A. (2019). Afro-fabulations : the queer drama of Black life. New York University Press.
Pereira, P. P. G. (2019). Reflecting on decolonial queer. GLQ: A Journal of Lesbian and Gay Studies, 25(3), 403-429.
Juhasz, A., & Cheang, S. L. (2020). When are you going to catch up with me? Camera Obscura: Feminism, Culture, and Media Studies, 35(105), 117-132. https://doi.org/10.1215/02705346-8631583
